Michael McCaffrey – August 31, 2020
The trailer for HBO Max’s Unpregnant appears to ignore the moral complexity of abortion in favor of promoting an insidious amorality on the issue. This is a poor message to send out to impressionable young girls.
Unpregnant is the controversial new abortion buddy comedy movie set to premiere on HBO Max on September 10.
The film, based on the novel of the same name, tells the story of Veronica, a pregnant 17-year-old girl, and her friend Bailey, as they go on a wild and wacky road trip from Missouri to New Mexico so that Veronica can get an abortion.
In its trailer, Unpregnant sells itself as a zany road picture where hilarity ensues when a goofy odd couple of teenage girls steal a car and try to hop a train on their epic odyssey down the yellow brick road to abortionland.
The road picture narrative is a long time Hollywood staple. Think Bing Crosby and Bob Hope with their numerous “road to” musical comedies of the ’40’s and ’50’s… except in Unpregnant, Crosby and Hope are teenage girls crossing state lines to get an abortion. Hilarious!
It is easy to see why pro-life advocates are up in arms over Unpregnant, as the trailer makes the film appear to be a piece of pro-abortion agitprop specifically designed to antagonize them by making light of abortion and demonizing Veronica’s Catholic parents as “Jesus freaks.”
2020 has been a banner year for decidedly pro-abortion films with Unpregnant, the critically acclaimed drama Never Rarely Sometimes Always and the indie dramedy Saint Frances, which all have an amoral attitude toward abortion, all being released.
Notice I described these films as ‘pro-abortion’ and not ‘pro-choice’, and that is because pro-choice implies a grappling with the moral gravity of the abortion decision, whereas pro-abortion removes any moral dimensions at all, and reduces abortion to being akin to getting a nose piercing.